This four-channel film installation unfolds across a series of projections in which garments are both inhabited by a performer and becoming autonomously living through stop-motion animation. These forms drift toward one another, embrace, part, and reappear, weaving through layered natural spaces that shimmer, dissolve, and reform. A soundscape of layered hums swells in moments of visual silence, when the screens fade to black. Sound here becomes vision. The dandelions in the piece mirror the cycle of blooming and dispersing, of coming together and letting go. It reflects the quiet risk of human connection. Like a dandelion gone to seed, it holds the moments when the heart breaks open for something else ton begin.